Pick your shape.
Open the band’s own menu. Make a focused bell cut, tilt the overall balance, or roll away the lows. The curve follows the filter you choose.
Sounds like magic.It’s all math.
More punch. More color. More space.
Shape the tone, add character, and bring the level up. All in one plugin. Fast.
Input + Final EQ
A little less mud.
A little more air.
Shape the signal before it reaches the processors, then refine the result with a separate final EQ. Two independent banks, each with up to 12 bands.
Independent input
and final EQ.
Correct the source before adding energy and color. Use Final EQ to balance the processed sound before the limiter. Each bank keeps its own settings.
Shape the curve.
Right on the graph.
Bell, shelves, cuts, Band Pass, Tilt Shelf and Flat Tilt. Set frequency, gain and Q on the graph, choose the channel and select a supported slope from 6 to 96 dB/oct.
Choose what you change.
Process the stereo pair, a single channel, Mid or Side. Shape the center and the sides independently, directly from the selected band.
Band audition
Find it with
your ears.
Hold the headphone control on a selected band to isolate its frequency range. Sweep to the problem, release to hear the full mix, then make your adjustment.
Energy
Bring the quiet bits up.
Keep the hits alive.
Lift body and sustain, shape the attack, and bring out the movement between the hits. Follow the signal through PRE, ENERGY and FINAL in one view.
A driven input above 0 dBFS. Energy reshapes the signal; the final limiter catches the peaks at −0.1 dBFS in this example.
Four characters.
One continuous flow.
- Glue
- Bring the body together with a cohesive, connected feel.
- Punch
- Keep rhythmic attacks forward as you add density.
- Open
- Leave more room for movement and ambience.
- Frd
- Bring the sound perceptually closer and more upfront.
- Density
- Lift the body and sustain without simply turning the whole signal up.
- Impact
- Adjust how attacks come through the denser signal.
- Life
- Bring out tails and low-level detail, or tighten the spaces between hits.
From our studio to yours
Made for our sessions.
Coming soon to yours.
For a long time, WOW MAKER was a tool we kept inside Singomakers. We used it on our own sounds and mixes, kept coming back to it, and kept making it better.
Then we decided it was time to let it out into the world. Soon, the same tool we reach for in our studio will be in yours.
You may already know our sounds
Singomakers and IQ Samples sounds have found their way into music by Demi Lovato, KSHMR, 6ix9ine and Twenty One Pilots. From club tracks to songs heard around the world.
- Sorry Not Sorry
- Demi Lovato
One of the records made with sounds from our sample libraries. - BEBE
- 6ix9ine
Built using sounds from Singomakers’ Majorton pack. - Shiva
- KSHMR & MARNIK
The Sunburn festival anthem uses vocals from Singomakers’ Astral Psytrance.
Color
The color of sound.
The character of a mix.
Sound coloration, from the finest shade to a completely new palette. Blend Analog character with independent Odd and Even layers to give individual sounds — or the whole mix — their own identity.
Analog
Two models.
A different kind of warmth.
Choose Transformer for weight and harmonic density, or Tape for a softer saturated character. Drive sets the intensity; Warmth, Bump and Age shape the texture. Mix blends the result.
- Transformer
- Solid low-end weight and transformer coloration.
- Tape
- Tape saturation with warmth, low-frequency bump and age.
Odd + Even
14 algorithms.
In each layer.
Give Odd and Even their own algorithm, frequency, Drive and Amount. Filter each contribution with HiPass or LoPass, then combine the two.
Tanh · Soft · Hard · Fold · Saturate · Crush · Tube · Cheby · Octave · WFold · Decim · Ring · Noise · Shift
From smooth saturation and tube character to digital grit, folding and modulation. Keep one layer subtle while the other does something unexpected.
CUE + frequency
Hear the layer.
Move its focus.
Solo the contribution with CUE. Drag the frequency marker in the layer’s mini analyzer and watch the output spectrum follow. The large analyzer makes the difference clear before you blend it into the track.
Listen to the color.
Then find its place.
- CUE
- Listen to Analog, Odd or Even on its own. Hear the contribution you are about to blend into the mix.
- Frequency
- Move the marker in the mini analyzer to focus the harmonic generator. Follow the result on the large spectrum.
- HiPass / LoPass
- Filter the generated layer separately. Keep weight out of the lows, or soften its upper edge.
- Drive + Amount
- Create the character with Drive. Use Amount to choose how much of the layer joins the original signal.
Artists on WOW MAKER.
It's fast, musical, and it simply works. A serious weapon for the studio. Highly recommended.
Joachim Garraud
DJ · Producer · Composer
A French Touch pioneer, DJ, producer and composer with more than 30 years in electronic music. Joachim has collaborated with David Guetta, Jean-Michel Jarre, David Bowie and Kylie Minogue, and continues to explore new ways of making and performing music.
joachimgarraud.com
This plugin literally replaced several of my old limiters on the master chain! It's just incredible how much you can push the volume without any distortion. Really love it!
A*S*Y*S
DJ · Producer · Fe Chrome founder
Frank Ellrich, known for his signature acid-techno sound and his label Fe Chrome. His track “The Acid” topped Beatport’s Techno chart for six weeks. His festival appearances include Tomorrowland, EDC Las Vegas and Time Warp.
Artist profile
Such an unusual limiter inside, it gives an amazing result right away! Great work
Avis Vox
Producer · Singer · Live performer
Frankfurt-based producer, singer and live performer, with releases on FeChrome, Siona Records and her own Kalt Skin Records. Her music has received support from Amelie Lens and CamelPhat. She has performed at Fusion Festival and joined Innellea’s live album tour.
Artist profile
The limiter inside is an absolute bomb, plus stunning extra features for mastering! Honestly had a real WOW moment the very first time I used it!
PARAFRAME (Pavel Khvaleev)
Producer · Composer · Filmmaker
Producer, composer and filmmaker Pavel Khvaleev, formerly part of Moonbeam. His PARAFRAME project combines melodic techno and progressive house with cinematic visuals. His catalogue includes Inhale, Exhale and Metropolis, released through Black Hole Recordings.
Music & releasesResonance
Less harsh.
More music.
Set the working frequency range and threshold, then let dynamic suppression respond to resonances inside it. Keep the focus on the sound that needs attention.
A response for
every resonance.
- Smooth
- A gentler response for broad, musical control and preserving body.
- Natural
- A balanced response for everyday resonance management.
- Surgical
- A more focused character for narrow, persistent resonances.
- Range + Threshold
- Choose where the processor listens and the level at which suppression starts.
- Suppress
- Set the depth of the available reduction.
- Sharpness + Selectivity
- Shape the width of the cuts and how selectively resonances are targeted.
- L/R or M/S
- Work in Left/Right or Mid/Side, depending on where the problem sits.
- Link
- Adjust how closely the two channels respond together.
- CUE
- Hear the removed signal to check that the correction stays focused.
Stereo Space
Go wide.
Stay grounded.
Add depth around the center, adjust the side signal, and keep low frequencies focused. Watch the stereo image and correlation as you work.
- Lissajous
- See the relationship between Left and Right in the familiar vectorscope view.
- Polar
- Read the distribution of the stereo image around the center.
- Scatter
- Inspect the stereo signal as a point cloud. Correlation remains visible below.
Space above.
Foundation below.
- Dimension + Focus
- Add depth and choose the frequency region it works around.
- Stereo
- Adjust the level of the side signal relative to the center.
- Mono + slope
- Reduce the low-frequency side signal below your chosen frequency. Choose a 12 or 24 dB/oct transition.
- Natural
- A restrained depth character for a connected stereo image.
- Open
- A more spacious character when the sound needs room.
- Air
- A lighter character focused toward the upper spectrum.
Limiter + loudness
More loudness.
Less distortion.
Bring the level up without chasing crunch. Control the peaks, keep an ear on the punch, and choose the ceiling character that suits the track.
Bring up the level.
Choose the feel.
- TLimiter
- A transparent final ceiling that catches the peaks as you push Gain.
- T Hybrid
- Blend a shorter limiting response with the main ceiling for another balance of density and movement.
- T Punch
- Keep kick transients more forward with a punch-focused ceiling response.
- Gain
- Drive the signal into the ceiling. The example uses +4 dB, with real Energy and limiter activity shown above.
- Post-Gain
- Set the final output level after the ceiling.
- Meters
- Read Momentary, Short-Term and Integrated loudness alongside stereo peak levels. Compare with bypass as you listen.
Presets
A starting point.
Make it yours.
Find a direction quickly, then shape it for your track. Browse factory sounds for individual sources, mix processing, mastering and creative sound design.
From a drum bus
to a new texture.
Bass, Drums, Guitar, Percussion, Mixing, Mastering and Sound Design. Start close to the sound you have in mind, then adjust the whole chain from there.
Coming later
Artist presets.
A dedicated collection from guest artists. Names and preset details will be announced here.
Learn WOW MAKER
See it.
Then try it.
Watch a session from the Singomakers studio. This space is ready for the full WOW MAKER walkthrough — for now, explore a recent video from our channel.
From the Singomakers studio
Better sound. Less time.
A quick way to shape your sound with WOW MAKER. The walkthrough is coming soon — for now, here’s a sample-pack session from our channel.